Barcode | 773848555635 |
Release Date | 11/11/2014 |
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Carl Lumbly | Mark Petrie | |
Tyne Daly | Mary Beth Lacey | |
Al Waxman | Lt. Bert Samuels | |
Martin Kove | Victor Isbecki | |
Meg Foster | Det. Chris Cagney | |
Harvey Atkin | Desk Sergeant | |
John Karlen | Harvey Lacey | |
Sidney Clute | Paul La Guardia | |
Troy W. Slaten | Michael Lacey | |
Tony La Torre | Harvey Lacey Jr. | |
Michael Paul Chan | ||
Alfred Dennis | ||
Pearl Huang | ||
David Paymer | Vinnie | |
George Cheung | Chang | |
Marco Rodríguez | Manuel | |
Daniel Zacapa | ||
Simmy Bow | Charlie | |
Tucker Smallwood | Ace Truck Driver | |
Charles Walker |
Director |
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Producer |
David Auerbach
Stanley Neufeld Richard M. Rosenbloom Barney Rosenzweig |
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Writer |
Barbara Avedon
Barbara Corday Bud Freeman Marshall Goldberg |
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Cinematography |
Héctor R. Figueroa
Albert J. Dunk |
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Musician |
Nelson Riddle
Mark Snow |
Mary Beth Lacey and Chris Cagney are teamed up as NYPD detectives in this landmark series. Their opposing personalities (one is tough and the other sensitive) mesh to make this one of the great crime-fighting duos of all time. |
60 mins 10/8/1981 1. Pilot | |
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Cagney and Lacey are two female New York policewomen doing their job as best they can in a male-dominated police department. The weekly program was variously a "cop show", a relationship drama, and an "issues vehicle".
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60 mins 3/25/1982 2. You Call This Plain Clothes? | |
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Cagney and Lacey go undercover as prostitutes.
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60 mins 4/1/1982 3. Pop Used to Work Chinatown | |
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A Chinatown robbery brings Cagney's retired father back on the beat.
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60 mins 4/8/1982 4. Beyond the Golden Door | |
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Cagney and Lacey uncover a deadly smuggling ring when searching for a missing child.
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60 mins 4/15/1982 5. Street Scene | |
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Cagney and Lacey are accused of racial prejudice when they investigate a gangland beating
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60 mins 4/22/1982 6. Suffer the Children | |
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Cagney and Lacey become involved in an investigation of child abuse and possible murder when they rescue a child from a window ledge.
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60 mins 4/29/1982 7. Better Than Equal | |
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Cagney and Lacey must ignore their feminist sentiments when they are assigned to protect the life of a female ERA critic.
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