Written with “humanity, compassion, and dignity,” an unexpected love story of a career-driven mother, a once-resentful daughter, and a ten-year battle with Alzheimer’s (Los Angeles Times) At a time when such things were rare, Elinor Fuchs’s mother, Lil, escaped a miserable marriage and left young Elinor to be raised by grandparents as she traveled the world selling automotive parts and military gear. With her stunning looks and ambition, Lil was less a mother to love than a figure to admire—and, once in college, Elinor determined to keep her distance. Making an Exit is the moving account of what happens afterward, following Lil’s diagnosis with Alzheimer’s. As the disease progresses, both women are transformed: Elinor, with growing compassion, becomes her mother’s mother; Lil, regularly speaking of “love,” connects with her daughter as never before through the poetry of her disintegrating language. With wit, wisdom, and theatrical flair, Making an Exit tells an uncommon story of a parent’s decline—and a rekindled relationship. “The last ten years,” writes Fuchs, “they were our best.”“How these women touched me! Driven and real, Making an Exit hurtles toward its truths with uncommon feeling and honesty.” —Gish Jen, author of The Love Wife“Tremendous . . . brilliant . . . filled with unexpected glimmers of hope, wisdom, and joy.” —The Atlanta Journal-Constitution Elinor Fuchs, a professor at the Yale School of Drama, is the author of an award-winning play and major works of criticism, including The Death of Character. A nationally recognized theater critic, Fuchs wrote for The Village Voice for more than ten years, and has also contributed to The New York Times, Vogue, and American Theatre. Fuchs lives in Brooklyn. At a time when such things were rare, Elinor Fuchs's mother, Lil, escaped a miserable marriage, took back her maiden name, left young Elinor to be raised by grandparents, and launched a career that led her from the Midwest to Washington, D.C. Rejoining her as an adolescent, Elinor watched as Lil traveled the world selling automotive parts and military gear, gave fabulous parties, and "in any given room, took up all the air there was." With her stunning looks and drive for success, Lil was a figure to admire, not a mother to love. Elinor determined to keep her distance. Making an Exit is the insightful account of what happened afterward, during the final years of Lil's life. Following her mother's diagnosis with Alzheimer's, Fuchs finds herself the caretaker. As the disease progresses, she becomes her mother's mother, dressing her, bathing her, feeding her—all with growing compassion. Lil changes, too: filled with new warmth, the word "love" now regularly crosses her lips. And through the fantastic poetry in the disintegration of Lil's language, mother and daughter make a surprising new start.With wit, wisdom, and theatrical flair, Making an Exit tells an uncommon story of a parent's decline—less a conventional narrative of aging and loss than one of discovery, devotion, and spiritual growth. "The last ten years," writes Fuchs, "they were our best." "It is refreshing to see the final stages of one woman's life and eventual death treated with such humanity, compassion, and dignity . . . Those horrible phrases that many adult children whose parents succumb to Alzheimer's, senility, or disablement eventually have to deal with—'assisted living' and 'nursing home'—are stripped of much of their mystery in Fuchs' book, and are shown for their absurdity, stark reality, banality, and also moments of joy."—Michael Standaert, Los Angeles Times "Tremendous . . . A book filled with unexpected glimmers of hope, wisdom, and joy . . . [The author] possesses a delightfully wicked sense of humor and a sharp eye for the quirky detail. Fuchs [employs] a deft and efficient prose style, one akin to Augusten Burroughs, David Sedaris, and Anne Lamott. She's also relentlessly unafraid to mine the laughter out of her and her mother's dire situation . . . Making an Exit is a celebration of the life and death of an unforgettable woman, and it is indeed a festive occasion, one generous enough to hold a touching story of a daughter's love and one wise enough to mix a few jokes within the requisite plan."—Greg Changnon, The Atlanta Journal-Constitution"How these women touched me! Driven and real, Making an Exit hurtles toward its truths with uncommon feeling and honesty."—Gish Jen, author of The Love Wife"Unflinchingly honest, open-hearted, and funny, this is a work of passionate intelligence and deep humanity."—Joyce Antler, author of The Journey Home "Fuchs' mother is larger than life in both her salad days and her days of word salad. And Making an Exit overflows with life—its sorrows and surprises, its follies and joys."—Anne Basting, Director of the Center on Age and Community, University of Wisconsin, Milwaukee"A rare and wonderful rollercoaster of a book, tender and touching, hilarious and high-spirited—a moving portrait of a daughter and mother that is fiercely intelligent, ineffably sad, and, finally, transcendent."—Kathleen Woodward, author of Aging and its Discontents"[A] wry account of a once-alienated daughter who becomes ever more entwined with her mother as the older woman makes a memorable decline . . . There's little room for pity or censure as the reader is carried along by a great story. Lillian, an adamantly independent woman all her life, finally needs to be taken care of. She's mostly lost her mind, and although she'll never really know it, she needs her daughter. Fuchs combines her account of the weirdness of caring for a physically competent, mentally absent woman with episodes from their shared past. Her brisk prose effectively captures Lillian's energy, the oddities of communication that Alzheimer's imposes, the endless grind of arranging and placating caregivers, and her own emotional landscape when she finds herself trapped in a state of emergency that lasts a decade. It didn't come cheap, but Fuchs has achieved a beautiful balance of humor and tragedy—all wrung from the same mess of real life."—Kirkus Reviews"A paradoxical line is finely drawn [in this book] between tragedy and comedy; Fuchs depicts her mother's gradual deterioration with humor, sensitivity, and grief that becomes more profound as Lillian weakens. This literate book with its classical underpinnings is an easy, delightful read, and [is] highly recommended."—Cleo Pappas, Zitek Medical Library, La Grange Memorial Hospital, Illinois, Library Journal (starred review)